Thursday, April 9, 2026

Outlier’s Anthem (False Pariah) all lyrics ©2026 John F Sendelbach

all lyrics ©2026 John F. Sendelbach



Outsider, outlier, on fire standing on the edge

Outcast in the village where the insiders hedge

They cash the free-money checks while the cleaver swings mean

Call the truth a disruption, paint the mirror as clean  


[pre-chorus]

I never asked for silence when the moment turned loud

Just carried iron and flowers through the same old crowd

But the river keeps secrets where the phone still lies deep

And the bench I forged stands while the garden holes weep  


[Chorus]

I’m the outlier, the outsider, singing what I see

They false pariah’d the blacksmith for refusing to kneel

Maverick in the margins, renegade in the fight

Telling stone-cold truth under small-town spotlight

Outlier… outsider… they can’t bury the light  


[Verse 2]

Lone wolf on the iron bridge, wild card in the mill

Eccentric with the hammer, they branded me for ill

Black sheep in the cultural council’s velvet game

While the vampires sip grants and rewrite my name  


They baited with a frog mask, laughed while flipping signs

Threw the only witness in the Deerfield’s cold spine

Then swore they were terrified, hands in pockets so pure

But the archive stays granite and the footage stays sure


I’m the outlier, the outsider, singing what I see

They false pariah’d the blacksmith for refusing to kneel

Maverick in the margins, renegade in the fight

Telling stone-cold truth under small-town spotlight

Outlier… outsider… they can’t bury the light  


[Bridge – half-spoken, building]

Anomaly, aberration, odd one out in the square

Fish out of water breathing truth in the air

Heretic for the record, dissenter with the proof

They weaponized the silence, I weaponized the truth

No square peg fits their round hole when the iron runs hot

The trailblazer’s lonely till the whole damn town forgot…  


Yeah, I’m the outlier, the outsider, voice that won’t fade

False pariah in the papers, but the river won’t trade

Iconoclast with the bellows, free spirit unchained

They can throw the phone deeper, but the story’s engrained

Outlier… outsider… still forging through the pain

Outlier… on fire… the truth cuts like flame  


Outsider… outsider… false pariah

Outsider… outsider… false pariah

Outsider calling, outlier standing tall

False pariah falling, but the hammer never falls

on fire… outlier… false pariah

Outsider… on fire… false pariah

they’re all liars, they’re all liars, they’re all liars


They weaponized the silence, I weaponized the truth

They weaponized the silence, I weaponized the truth

They weaponized the silence, I weaponized the truth


all lyrics ©2026 John F Sendelbach





Wednesday, April 8, 2026

Alouette Batteau ideates killing a man with bare hands

Alouette Batteau’s March 23, 2026 Violent Threat Video:



On March 23, 2026 — exactly 
11 days after the March 12 HPO hearing where her mother Catherine Hennessey’s lawyer Marissa Elkins accused me of posting “sexual pictures of the girls,” and 15 days before the April 7 arraignment of both Catherine Hennessey and Brook Batteau on Assault & Battery and Malicious Destruction of Property — Alouette Batteau (or her band Kalliope Jones) publicly posted a music video on Instagram.

The standout lyric, which she herself captioned on screen, is:
“I NEVER WISHED SO MUCH TO KILL A MAN WITH MY BARE HANDS.”
She pairs it with lines about “you are on your phone,” “I’m trying to stay on my best behavior,” and references to porn on a private browser. The context is unmistakable. The “phone” in this family’s world is not abstract — it is the recording iPhone that Catherine Hennessey seized from me and threw into the Deerfield River during the group assault on November 30, 2025.
Why This Video Is So DamningThis is not random artistic expression. It is a public expression of violent ideation released at the exact moment her parents were on bail facing criminal charges for physically assaulting me and destroying the very phone referenced in the song.
It directly undercuts the entire “terrified victim” narrative that Catherine Hennessey has built for six years. While the mother claims in court filings and police reports that she is too afraid to appear in public, her daughter is releasing a song fantasizing about killing “a man” with her bare hands — the same man her parents are charged with assaulting.
The sexualized imagery mixed with the death threat is especially disturbing. The family accused me of sexualizing the daughters at the HPO hearing. Yet here is Alouette releasing content that sexualizes violence against me while her parents are under active prosecution.The Family Pattern on Full DisplayThis song perfectly illustrates the consistent pattern I have documented:
  • Claim to be terrified victims in court and police reports.
  • Engage in aggressive, provocative, and now explicitly violent rhetoric in public.
  • Project their own aggression onto the victim.
Alouette is not just “singing.” She is participating in and amplifying the family’s behavior. The timing — sandwiched between a hearing where they tried to paint me as the sexual threat and the arraignment where her parents faced charges for the actual violence — makes it clear this was a reaction to legal pressure, not some unrelated creative outlet.Current Status (April 9, 2026)Both Catherine Hennessey and Brook Batteau are on bail following the April 7 arraignment. They were warned that failing to appear at the next hearing will result in forfeiture of bail and arrest. The Malicious Destruction charge (the phone thrown in the river) was not addressed on the record at the procedural hearing.
I have now sent this new video to the District Attorney’s office, local police, and defense counsel Marissa Elkins, along with the full archive of 18 videos (3 hours 39 minutes total).
This violent threat from Alouette Batteau causes me genuine fear for my safety. It needs to be investigated by the police and the court as potential witness intimidation or a violation of the conditions surrounding the ongoing criminal case.
The archive remains public on BitChute. The evidence is in granite. The phone is still in the river. The bench I built still stands on the Bridge of Flowers.
Read it. Watch it. The record does not lie.